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Plain and Fancy

"I hope for nothing, I fear nothing, I am free"


Tuesday, December 6, 2016

Pugma Ho! - Pugma Ho! (1969-2004 uk, rough downer rock with experimental mood, 2004 release)



It started in 1968 as a Jo Wright Art School band the Incas with Chris Camm guitar and Dave Coxon bass joined eventually by Keith Gotheridge on drums and Cliffe Simms on keyboards playing pop around the local pubs and clubs.  As the band moved towards the rock influences we decided to recruit vocalist Bev Staley who promised to be a good front man.  Bevs arrival was soon followed by Cliff's departure as the bands influences started to change.  With original material and a heavier rock sound it was decided a name change was called for, Pugma-Ho (kiss my arse, in Gaelic)  was born.  

We started to establish ourselves on the rock circuit, playing the top London gigs like The Marquee Club, The Temple, The Roundhouse and The Greyhound.  We also played several gigs at the Liverpool Cavern rock nights, usually followed by gigs at Liverpools Mardi Gras.  In 1972  we were the midlands representatives for the MELODY MAKER National Rock Contest, playing in the finals at the Roundhouse.  By the mid 70,s the music was changing towards punk.  Athough the band continued with changes in personel and music styles, we decided to call it a day.

In 2003 Pugma-Ho got together again for the hell of it, minus Bev,  who now resides in Australia.  Steve Curzon's, Bevs replacement, immediately became part of the band, and we are once again building a reputation for playing classic rock, the way it used to be played.

Clive Wellings took over drumming duties, after Keith retired from the band and did a sterling job for a year. The band was moving away from its original style so we recuited Tim Cox who's technique was more in line with the bands aims.

February 15th, 2013, Tim made his debut at the New Inn, Ilkeston, playing drums with Pugma Ho and now has played several gigs with the lads.

Before joining the band, his love of music took him on a vocational course by being a roadie and a pyrotechnic technician, using his creative skills at events and festivals.

Being an accomplished drummer, in 2008 he joined the post - punk rock band Wicker Sunday, providing the group with powerful, solid drums. It was in this band where he met Dave who was guesting on bass for some time.
Pugma-Ho


Tracks
1. Intro...Alert ! - 1:02
2. Life Is Crazy - 7:23
3. Who Will You See - 9:31
4. Blinding Lights - 7:58
5. Only A Fool - 4:06
6. You Know - 7:14
7. What's Your Desire - 3:08
8. Outro...All Clear - 0:48
9. German Love Song - 8:08
10.The Way I Feel - 9:53
11.War And Hate - 2:45
12.Alone In A Dream - 2:57
13.221 - 4:40
14.Junior's Wailing - 3:47
15.Highway 101 - 3:26
Tracks 2-7 recorded 1973
Track 9 recorded 1975
Tracks 10-12 recorded 1969 as The Incas
Tracks 13-15 recorded 2003-04

The Pugma Ho!
*Chris Camm - Guitar (1971)
*Dave Coxon - Bass (1971-72)
*Keith Gotheridge - Drums (1971-75)
*Pete Greaves - Guitar, Vocals
*Mel Levis - Bass
*Bev Staley - Vocals
*Spike Miller - Bass (1971)
*Sam Samways - Bass
*Richopino Ricardo - Bass
*Chinese Charly - Bass
*Neil Wright - Bass
*Gordon Reaney - Vocals
*Margo Buchanan Reid - Vocals
*Sam Kenny - Keyboards (1975)
*Geoff Meakin - Drums (1975)
*Steve Curzon - Vocals (2003)

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Friday, December 2, 2016

Horse - For Twisted Minds Only (1970-71 uk, outstanding heavy psych rock, 2016 remaster and expanded)



Horse was formed in South London during the late sixties. They created occult influenced progressive hard rock that was ahead of its time. Guitarist Rod Roach had briefly played in an incarnation of British psych-rock legends Andromeda before forming Horse with other key member, vocalist Adrian Hawkins. Alongside bassist Colin Standring, the band also featured legendary drummer Ric Parnell, later of Atomic Rooster (amongst many others) and future star of This is Spinal Tap (aka Mick Shrimpton)! The obscure rockers have been a favorite among collectors for many years. For Twisted Minds Only is an album long overdue for an official reissue. 

Recorded in 1969, originally released in 1970 and bootlegged countless times from scratchy vinyl transfers, Rise Above Relics is now finally presenting this detailed release mastered and cut directly from the original master tapes. Featuring a treasure trove of previously unheard/unreleased material, For Twisted Minds Only is certain to have connoisseurs and collectors of the period frothing at the bit. This long classic gallops out of the gate with the psychedelic “The Sacrifice” that could feel at home on a Jefferson Airplane album from the era. With its bloody chorus and the equally creepy second track “See The People Creeping Round” we can see how this Horse might be an acquired taste.
by Rich and Laura Lynch


Tracks
1. The Sacrifice - 6:17
2. See The People Creeping Round - 4:25
3. And I Have Loved You - 3:13
4. Freedom Rider - 3:20
5. Lost Control - 2:26
6. To Greet The Sun - 4:06
7. The Journey - 3:56
8. Heat Of The Summer - 4:04
9. Gypsy Queen - 2:54
10.Step Out Of Line - 4:24
11.Autumn - 3:52
12.Winchester Town-Dreams Turn To Ashes - 4:15
13.Born To Be Wild - 6:48
14.Picture Of Innocence - 2:53
15.She Brings Peace - Original Version - 5:44
16.Anthems Of The Sea - 3:28
All songs by Adrian Hawkins, Road Roach

The Horse
*Rod Roach - Guitar
*Adrian Hawkins - Vocals
*Colin Standring - Bass
*Ric Parnell - Drums
With
*Jess Liddiard - Drums (Tracks 13,14)
*Steve Holley - Drums(Tracks 15,16)

1971  Horse - Horse (Buy Or Die edition)

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Saturday, November 26, 2016

SRC - SRC / Milestones / Traveler's Tale (1968-70 us, astonishing heavy garage psych, 2012 double disc box set remaster)



Much was expected of SRC, and for good reason. Aside from being exceptional songwriters and musicians, the Ann Arbor, Michigan band had the support of both the public and a major label. Bursting with potential, they were clearly primed for global domination.

Signed to Capitol Records, SRC (short for the Scot Richard Case) waxed a trio of full-length albums for the imprint that have now been brought together as a double-disc package by Beat Goes On Records. Sad to say, the band never conquered the world, which was no fault of their own, as their efforts weren’t as widely distributed and promoted as all hoped they would be. But they remained tremendously popular locally and continued to be held in high regard in later years by those exposed to their material.

Released in 1968, the band’s debut album, SRC, crackles and crunches to the tune of a heavy beat. Grinding Hammond organ passages producing feelings of gloom and doom share space with squealing acid-stained riffs, while the drumming is tribal and toxic. Self-possessed vocals, alternating between light and dark, complete the sessions.

A thoroughly eerie environment envelopes the moody “Black Sheep,” and songs like “Daystar,” “Exile” and “Paragon Council” are grafted of science-fiction visages. Imaginative and freaky, SRC often resembles a grungier version of the Doors.

The band’s next album, Milestones, which appeared in 1969, proved to be quite different than its predecessor. Gone was the jagged edge, replaced by bright singing, intricate melody lines and sophisticated structures dripping with smoothness.

Clocking in at over eight minutes in length, “The Angel Song” breathes in and out to a lush terrain of progressive movements, where “Show Me” and “I Remember Your Face” are glistening ballads.

But by no means had SRC turned soft, as clarified by “Up All Night,” “No Secret Destination” and “Eye Of The Storm,” which pulsate steadily with zippy frequencies. As well, an ambitious cover of “In The Hall Of The Mountain King” exhibits the band’s incredible improvisational skills.

SRC’s final album, Traveler’s Tale hit the decks in 1970 and was stuffed and buffed with hard rocking razzle dazzle. Blazing guitars, plucked with polish and precision, augmented by rows of inventive tempo changes propel cuts such as the bluesy “Midnight Fever,” the whammy jammy “Across The Land Of Light” and the sweeping swirls of “By Way Of You” to stratospheric heights.

Loaded with lashing licks, aided by super-size harmonies, majestic keyboard excursions and burning hooks, “A New Crusader” steps forward as another winner included on Traveler’s Tale, and then there’s the haunting psychedelic-soaked vibe of “Street Without A Name,” the gospel styled “The Offering” and “Diana,” which crosses neo-Latin flavored rhythms with jazzy indentations.

As strongly indicated by these recordings, SRC was ambitious and adventurous. Pouring their hearts and souls into their music, they created tunes smacking of artistic integrity. Those attracted to the enterprising musings of the Pretty Things, Deep Purple, Procol Harum and Yes will certainly appreciate the equally exciting sounds of SRC. 
by Beverly Paterson


Tracks
SRC-Milestones 1968-69
1. Black Sheep - 4:51
2. Daystar - 4:30
3. Exile - 4:23
4. Marionette - 4:01
5. Onesimpletask - 5:36
6. Paragon Council - 4:00
7. Refugeve - 3:40
8. Interval - 5:14
9. No Secret Destination - 4:21
10.Show Me - 3:42
11.Eye Of The Storm - 4:55
12.I Remember Your Face - 1:41
13.In The Hall Of The Mountain King-Bolero (Edvard Grieg, Jimmy Page ) - 6:10
14.Checkmate - 3:47
15.Our Little Secret - 2:43
16.Turn Into Love - 3:03
17.Up All Night - 3:10
18.The Angel Song - 8:15
All songs by Scott Richardson, Gary Quackenbush, Elmer George Clawson, Glenn Quackenbush, Steve Lyman, Robin Dale(Tracks 1-8), Al Wilmot(Tracks 9-18)  except where Stated


Disc 2 Traveler's Tale 1970
1. A New Crusader (Scott Richardson, Glenn Quackenbush, Ray Goodman) - 7:07
2. Street Without A Name (Glenn Quackenbush, Scott Richardson) - 5:13
3. Midnight Fever (Scott Richardson, Ray Goodman) - 3:53
4. Never Before Now (Glenn Quackenbush, Scott Richardson) - 3:57
5. By The Way Of You (Scott Richardson, Elmer George Clawson, Glenn Quackenbush, Ray Goodman, Al Wilmot) - 3:18
6. Diana (Glenn Quackenbush, Scott Richardson) - 4:37
7. Across The Land Of Light (Scott Richardson, Glenn Quackenbush, Ray Goodman, Elmer George Clawson, Al Wilmot) - 6:54
8. The Offering (Scott Richardson, Glenn Quackenbush) - 6:12
9. My Fortunes Coming True (Bonus Track) (Ray Goodman, Scott Richardson) - 3:19

SRC
*Steve Lyman - Second Guitar, Vocal
*Glenn Quackenbush - Hammond Organ
*Scott Richardson - Lead Vocal
*E.G. Clawson - Drums
*Gary Quackenbush - Lead Guitar
*Robin Dale - Bass, Vocal (Disc 1 Tracks 1-8)
*Al Wilmot - Bass Vocals (Disc 1 Tracks 9-18, Disc 2)

1968  SRC - SRC (2010 Micro Werks edition)
1970-72  SRC - Lost Masters

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Tuesday, November 22, 2016

Golden Earring - Golden Earring (1970 holland, exceptional hard classic rock with psych and prog shades, 2001 reissue)



Golden Earring found the titular Dutch quartet forging the unique style that would later pay off in successful albums like Moontan and Cut. At this point, the group's sound is best described as post-psychedelic FM rock with a pronounced hard rock element (strong, gutsy guitar riffs about on this record -- just check out "The Loner" or "Back Home"). A lot of the songs have the atmosphere and elaborate arrangements associated with prog rock, but the group keeps the arrangements and the running times tight (the album's lengthiest song is just a little over six minutes). 

The most overtly artsy track on the album is "Big Tree, Blue Sea," an energetic and complex rock tune that includes Jethro Tull-style flute and packs a dizzying array of tempo and stylistic changes into a tune only half as long as the average prog tune. Other highlights on Golden Earring include "This Is the Time of the Year," a song whose effect arrangement juxtaposes quiet verses with spare instrumentation with dramatic chorus powered by a powerful guitar riff and "Back Home," a solid example of the kind of good-time rocker that would dominate Golden Earring's late-'70s albums. 

The strong music and the band's tight musicianship makes a tuneful effort that is well worth a listen. 
by Donald A. Guarisco


Tracks
1. Yellow And Blue - 3:45
2. The Loner - 3:29
3. This Is The Time Of The Year - 3:33
4. Big Tree Blue Sea (George Kooymans, Barry Hay) - 6:12
5. The Wall Of Dolls (George Kooymans, Barry Hay) - 3:33
6. Back Home - 3:52
7. See See (Barry Hay) - 3:13
8. I'm Going To Send My Pigeons To The Sky - 5:59
9. As Long As The Wind Blows - 5:17
All songs by George Kooymans except where noted

The Golden Earring
*Rinus Gerritsen - Bass, Keyboard
*Barry Hay - Flute, Vocals
*George Kooymans - Guitar, Vocals
*Cesar Zuiderwijk - Drums

The Golden Earring 
1965 Just Ear Rings (2009 extra tracks edition)
1966  Winter-Harvest (2009 extra tracks issue)
1968-69  Miracle Mirror (2009 bonus tracks edition)
1969  On The Double
1969/71 Eight Miles High / Seven Tears
1972  Together
1973  Moontan
1977  Live (Double Disc)

1971  George Kooymans - Jojo
1972  Barry Hay - Only Parrots, Frogs And Angels

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Friday, November 18, 2016

Marc Brierley - Hello (1969-70 uk, marvelous diverse folk rock, 2014 bonus tracks remaster)



A minor player on the late-'60s British folk-rock scene, guitarist and singer/songwriter Marc Brierley made a couple of albums in the late '60s that were somewhat in line with the folk-pop-rock Donovan was making around the same time, though they were milder and far less distinctive. Brierley made his recording debut in 1966 with a five-song acoustic EP for Transatlantic Records that was similar in nature to the early acoustic recordings of Donovan and Bert Jansch. 
by Richie Unterberger

Hello might be described as a bit more ambitious than the first LP, and certainly more commercial. The arrangements are a lot bigger, with the string section from the London Symphony Orchestra hired to play on a couple of tracks and a lot of well-placed Hammond organ. There's a lot more stylistic variety from one song to the next, the tongue-in-cheek, honky-tonk shuffle of "O Honey" (featuring Dudley Moore, Arthur himself, on the piano!) transitioning into "A Presence (I Am Seeking)" with sparse acoustic guitar, flute, and Eastern hand percussion. The poppier songs on Hello remind me a little bit of some of the stuff on Cat Stevens' first two records, although nothing Brierley wrote is nearly as infectious as "Here Comes My Baby." If anything comes close, its his hugely uplifting final single "Be My Brother," which sounds to me like it should've been a massive hit. The other single, "Stay A Little Longer Merry Ann," is pretty damn good, too, and is notable for its now infamous producer and arranger: a teenage Andrew Lloyd Webber, believe it or not.

Brierley, today a freelance photographer and journalist, wrote the reissue's great liner notes, in which he reminisces about the minutia of his career. He talks about having a terrible cold the week he was in the studio for Welcome To The Citadel and about the tremendous difficulty he had with recording his vocals and guitar parts separately. He also has a word or two to say about his influences and about the ideas behind some of his songs. His thoughtful and charming remarks are merely the icing on the cake of this near-perfect package, a long overdue introduction to a unique and remarkable artist whose music is more than worthy of a prime spot in the folk-rock canon.
by Rob Hatch-Miller


Tracks
1. Sunny Weather - 2:44
2. Lady Of The Light - 2:52
3. Today I Feel Like Leaving You - 2:22
4. O Honey - 3:42
5. A Presence (I Am Seeking) - 6:46
6. The Room - 7:42
7. Byrd Lives - 1:28
8. Hello - 2:48
9. Lookin' Around The Room - 3:23
10.When Martha Comes - 4:33
11.Be My Brother - 3:26
12.If You Took The Bandage Off Your Head You Wouldn't Be So Blind - 3:29
13.The Best Part Of The Night - 3:29
14.In This Hour Of Love - 2:52
15.One Fine Morning (You Will Wake Up) - 3:01
16.Screaming Schizophrenia Blues - 3:02
17.Abide With You - 3:36
18.Brown Ships - 4:45
19.For People Who Are Parted - 4:45
20.Sweet Summer - 2:25
21.Be My Brother - 3:15
Words and Music by Marc Brierley
Original Album Tracks 1-10
CBS Singles Tracks 11-12
Island Records Demos Tracks 13-20
Rehearsal Demo Track 21

Musicians
*Marc Brierley - Acoustic Guitar, Vocals
*Harold McNair - Flute
*Dudley Moore - Piano
*Graham Todd - Organ
*Mox - Mouth Harp
*John Fiddie - Bass
*Tony Carr - Percussion
*Dougie Wright - Drums
*Billy Butler - Guitar, Vocals
*Andy Bown - Piano
*London Symphony Orchestra - Strings

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Sunday, November 13, 2016

Cold Blood ‎- Lydia (1974 us, delicate groovy jazzy funk rock, 2004 remaster)



Cold Blood is one of the original R'n'B horn bands from the late 60's/ early 70's that exemplified the "East Bay Grease" melding of funk & rock with blues and jazz elements. Lydia Pense has been compared to Janis Joplin, but is a true original and a pioneer in the women's rock movement. Lydia Pense and Cold Blood packed the San Francisco Ballrooms in their heyday, but that was then and this is now. In the now, Lydia Pense and Cold Blood still fill halls with cheering, dancing, foot-stomping fans. Far from fading over the years, Cold Blood has flourished. 

In 1974 their 5th released simply called "Lydia", legendary Stax guitarist Steve Cropper produced and and played on three cuts. A soulful approach with the band playing a blue-eyed funk crossbred. Lydia Pense is in fine form as always. 


Tracks
1. Ready To Live (Lonnie Hewitt, Paul Edward Smith) - 5:24
2. Simple Love Life (Paul Edward Smith, R. Smith) - 3:18
3. Under Pressure (Fred Gowdy, Larry Wilkins) - 3:30
4. When My Love Hand Comes Down (Gloria Jones, Pam Sawyer) - 4:23
5. When It's Over (A. Wayne) - 2:33
6. Consideration (Steve Cropper) - 3:36
7. I Only Wanted Someone To Hear Me (Allan Rush, Dee Presley) - 3:54
8. You're Free Lovin' Me (Carl Marsh, Steve Cropper) - 3:51
9. Come Back Into My Life Again (B. R. Charles) - 3:40
10.Just Like Sunshine (Paul Edward Smith, Raul Matute) - 4:38

Musicians
*Lydia Pense - Vocals
*Michael Sasaki - Guitar
*Paul Cannon - Guitar
*Steve Cropper - Guitar
*Joe Williams - Drums
*Tommy Cathey - Bass
*Rod Elliott - Bass
*Raul Matute - Keyboards
*David Luell - Alto, Tenor, Baritone Saxophones
*Max Haskett - Trumpet
*Jack Walrath - Trumpet
*Gaylord Birch - Drums
*Danny Kootch - Guitar
*Bobbye Hall - Congas, Percussion
*Chuck Bennett - Trombone
*Paul Hubinon - Trumpet
*Chuck Findley - Trumpet
*Bobby Shew - Trumpet
*Jim Horn - Tenor Saxophone, Flute
*Don Menza - Tenor Saxophone, Flute, Piccolo
*Peter Christlieb - Tenor Saxophone, Flute, Piccolo
*The Memphis Horns

1969-70  Cold Blood - Cold Blood / Sisyphus
1972  Cold Blood - First Taste Of Sin
1973  Cold Blood - Thriller
1973  Cold Blood - Vintage Blood Live

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Wednesday, November 9, 2016

Various Artists - Riot On Sunset Strip / Rarities: The Standells (1967 us, exciting garage psych beat folk rock, 2009 bonus tracks remaster)



The riots on Los Angeles' Sunset Strip took place in the summer and fall of 1966. As riots go, they were a far cry from those that afflicted the city during either Watts or those inspired by the Rodney King beating in 1991. Hundreds of teenagers began peacefully hanging out on the Strip on weekends, creating a traffic problem (though little else) while waiting for the latest phenomenon of the '60s - the 'Happening'.

The LA police over-reacted, imposing a curfew on under-21 year olds and heavy-handedly breaking up the crowds that continued to gather. These rather one-sided violent affairs were magnified by the popular press of the time into The Riots On Sunset Strip. The Stephen Stills/ Neil Young band Buffalo Springfield documented the affair in the song For What It's Worth, which charted nationally putting the civil rights issues involved once more on view from Coast to Coast. Sam Katzman (the man behind the movie Rock Around The Clock) rushed out a cash-in film Riot On Sunset Strip. 

All the hallmarks of the teenage movie were there - hokey plot, wooden acting and cheap sets - but the film has survived as a firm cult favourite, mainly for the night-club scenes featuring (amongst others) The Standells and The Chocolate Watchband. The original soundtrack album reissued here includes The Chocolate Watchband's Don't Need Your Lovin' and Sitting There Standing, two of their wildest performances and reportedly close to the raw feel the band generated in-person. The Standells' appearance in the movie further fuelled their punk notoriety. As an added bonus for their fans, Rarities contains 11 rare and unissued tracks including the early (1965) recording It's All In Your Mind, recorded at Gold Star Studios in Hollywood. The CD booklet also contains many rare photographs.


Artists - Tracks
1. The Standells - Riot On Sunset Strip (Tony Valentino, John Flack) - 2:25
2. The Mugwumps - Sunset Sally (Vincent Malamed) - 2:20
3. The Sidewalk Sounds - The Sunset Theme (Mike Curb) - 2:25
4. Debra Travis - Old Country (Debra Travis) - 2:02
5. The Chocolate Watchband - Don't Need Your Lovin' (David Aguilar) - 2:39
6. The Mom's Boys - Children Of The Night (The Mom's Boys) - 2:29
7. The Sidewalk Sounds - Make The Music Pretty (Guy Hemric, Jerry Styner) - 1:41
8. The Standells - Get Away From Here (Larry Tamblyn) - 2:09
9. Drew - Like My Baby (Mike Curb, Drew Bennett, Davie Allen) - 2:02
10.The Chocolate Watchband - Sitting There Standing (David Aguilar, Gary Andrijasevich, Bill Flores, Mark Loomis, Sean Tolby) - 2:23
11.The Standells - Love Me (Dick Dodd, Tony Valentine) - 2:46
12.The Standells - Batman (Neal Hefti) - 3:06
13.The Standells - Our Candidate (Mike Smith) - 4:12
14.The Standells - The Boy Who Is Lost (Larry Tamblyn) - 2:34
15.The Standells - It's All In Your Mind - 2:42
16.The Standells - School Girl (Graham Gouldman) - 2:17
17.The Standells - I Hate To Leave You (Tony Valentino, Dick Dodd) - 2:33
18.The Standells - Looking At Tomorrow (Barry Mann, Cynthia Well) - 2:18
19.The Standells - Don't, Say Nothing At All (D. Washington) - 2:32
20.The Standells - Try It (Joseph Levine) - 2:50
21.The Standells - Rari (Ed Cobb) - 5:33

Related Acts
1966  The Standells - Dirty Water
1966  The Standells - Why Pick On Me
1966-67  The Standells - Try It
1966-67  The Standells - The Hot Ones (rare out of print issue)
1965-67  The Chocolate Watchband - Melts In Your Brain...Not On Your Wrist / The Complete Recordings
1967  The Chocolate Watch Band - No Way Out
1968  The Chocolate Watch Band - The Inner Mystique
1969  The Chocolate Watchband - One Step Beyond
1966-68  The Chocolate Watchband - Forty Four

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